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Debbie Sims - Super Trouper

from Disco Daze by Various Artists

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about

This is Debbie Sims' first single off from the 1998 tribute album, "Songs of Andersson & Ulvaeus", which is a tribute to the Swedish pop music quartet ABBA.


NOTE: PROBLEM: The original song, “Super Trouper” by ABBA contains no strings, no horns, no bongos, no congas, no American percussion playing, no bass drum pounding, nor handclaps since the disco backlash started in late 1980, but too many synthesizers that made their original sound too euro-pop, too plain, too ordinary, too Schlager, too Swedish pop with not enough American disco rhythms or not enough American roots when they don’t pronounce the “z” sound, but pronounce the “s” sound just because the members from ABBA, named, Frida Lyngstad, Agnetha Faltskog, Benny Andersson and Bjorn Ulvaeus are Swedish. Also, in this original song by ABBA, during the first half of the chorus for the third time, there were no drums playing nor the pulsating beat of the bass drum playing that made it too plain; instead it had nothing.


SOLUTION: Debbie Sims’ American disco remake of this song where she pronounces the “z” sound with an American accent due to her American roots instead of a Swedish accent, produced by American disco producer Ed O’Loughlin, has a lot more American disco rhythms that make this song as a dance floor song, where you hear the bass drum pounding in the first half of the chorus for the third time to get your foot tapping to the beat of this song, which makes most everybody want to dance to the disco beat and clap their hands at Studio 54 discotheque than ABBA’s original from 1980.

Here's the story behind the song:


“Super Trouper” was a hit single for Swedish pop group ABBA, and was the title track from their 1980 studio album Super Trouper, written by Benny Andersson and Björn Ulvaeus. The song, with lead vocals by Anni-Frid Lyngstad, was the last to be written and recorded for this album. “Super Trouper” is included on the Gold: Greatest Hits compilation, as well as in the Mamma Mia! musical.
The name “Super Trouper” referred to the spotlights used in stadium concerts.

Music video

In October 1980, the music video for “Super Trouper” used the largest number of artists that ABBA have ever used in a music video. The spotlight featured throughout the music video is, in fact, a CCT Silhouette follow spot, as opposed to a real Super Trouper. The city of Glasgow mentioned in the lyric was suggested by Howard Huntridge who worked with their then-UK publishers Bocu Music. The music video was directed by Lasse Hallström.

Reception

“Super Trouper” was a successful single for ABBA. It topped the charts in Belgium, West Germany, the UK (their ninth and final No. 1 in the UK Singles Chart), Republic of Ireland and the Netherlands. It reached the Top 5 in Austria, France, Norway, Switzerland and Mexico, while peaking in the Top 10 in Finland and Spain. In the United States, where ABBA never quite managed to achieve the same sort of popularity experienced elsewhere, the single reached No. 45. However, combined with “Lay All Your Love on Me” and “On and On and On”, it topped the US Hot Dance Club Play chart.

“Super Trouper” was A-Teens' second single from their 1st album The ABBA Generation, a cover of ABBA’s song. When the single came out in the fall of 1999, it became a hit around the globe, just as its predecessor “Mamma Mia”, also an ABBA cover. “Super Trouper” debuted at No. 2 in Sweden and was later certified platinum .
It also became their only Top 5 hit in Germany peaking at #4. The single also reached No. 21 in the United Kingdom, No. 18 in Switzerland, No. 15 in Norway, No. 11 in Austria and No. 12 in Netherlands.

Music video

The music video was directed by Sebastian Reed and was filmed in Sweden. The video shows a girl so obsessed with the band that she owns posters, magazines, mugs, clothing, and even a key chain. She also copies the band’s choreography that is shown on TV. Some of the articles that feature pictures of the band come to life in the video.
In the first few seconds of the video, before the actual song starts, Mamma Mia can be faintly heard in the background.
The video was a hit in most TV stations charting inside the Top 10 countdowns in late 1999 and early 2000.

American alto pop singer Debbie Sims covered this song from her 1998 album, “Songs of Andersson & Ulvaeus”, produced by disco producer Ed O'Loughlin (who produced for American girl-group disco/soul singer Carol Douglas) in an American disco style with a lot of rhythmic, percussive disco beats that sound like “Do You Love What You Feel” by R&B star Chaka Kahn and her band Rufus.

lyrics

Super Trouper beams are gonna blind me
But I won't feel blue
Like I always do
Cause somewhere in the crowd there's you

I was sick and tired of everything
When I called you last night from Glasgow
All I do is eat and sleep and sing
Wishing every show was the last show
So imagine I was glad to hear you're coming
Suddenly I feel all right
And it's gonna be so different when I'm on the stage tonight

Chorus:
Tonight the Super Trouper lights are gonna find me
Shining like the sun
Smiling, having fun
Feeling like a number one
Tonight the Super Trouper beams are gonna blind me
But I won't feel blue
Like I always do
Cause somewhere in the crowd there's you

Facing twenty thousand of your friends
How can anyone be so lonely
Part of a success that never ends
Still I'm thinking about you only
There are moments when I think I'm going crazy
But it's gonna be alright
(You should be changing everything)
Everything will be so different when I'm on the stage tonight

Repeat Chorus

So I'll be there when you arrive
The sight of you will prove to me I'm still alive
And when you take me in your arms
And hold me tight
(Come hold me tight)
I know it's gonna mean so much tonight (So much tonight)

Repeat Chorus and fade

credits

from Disco Daze, released January 1, 1981
Written by Benny Andersson and Björn Ulvaeus

Lead Vocals – Debbie Sims
Bass – Vince Fay
Drums & Congas – Daryl Burgee
Electric Piano – Joel Bryant, Greg Phillinganes
Grand Piano – Laurie Maitland
Guitars – Paul Jackson Jr.
Horns Arranged by Lou Del Gatto
Percussion – Alan Estes
Handclaps: Robert P. Brown, Colleen Heather, Janice Kahn, Willie Mae Kidd "Sasha", Eric Lipman, Sonia Lonon, Laurie Maitland, Frank Simon, Pam Sindaco and Tim Wang
Backing Vocals – Christine Burnett, Dennis Englewood, Helen
Taylor, Joyce Berry, Laurie Maitland, Liz McKay, Lupe MacKenzie,
Matthew Foster, Tricia Copperfield
Producer – Ed O'Loughlin
Strings Arranged & Conducted by Don Renaldo

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